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Verizon FiOS Rollout Schedule

If you, like me, live in a part of the City of Richmond (or anywhere, really) that has yet to see fiber optic internet connectivity in your neighborhood, there’s a simple way to check if it’s coming soon:

Verizon’s Virginia Community Page contains a link to a PDF-format schedule of their construction plans for FiOS. I’ve not linked to the schedule directly because it’s typically bi-monthly. It looks like they’re finally getting close to my humble Seminary Avenue, but I can’t help feeling like they’ll have something newer and better by the time they finally get to my block.

There are pages for states other than Virginia as well. It’s a shame you can’t get to these pages more directly or common-sense-like. When you check for FiOS availability in your area and there is none, all they do is try to hawk their DSL service instead.

Don’t you forget about me.

When I hear Simple Minds‘ iconic 80’s anthem, “Don’t You (Forget About Me),” I’m filled with a semi-false nostalgia that tricks me into reminiscing about my mostly crappy high school years…

It was December of my senior year at Central Senior High School in the depressed rural county of Lunenburg, Virginia, and I was preparing for a concert on Saturday, the 19th. I was in this concert, playing bass guitar for a band with Mugs and Lucas called Uprooted, and we were getting ready for a six-band show in the improvised back room club at the Mean Bean coffee shop in Clarksville. We’d drawn the third slot out of a hat and had a 45-minute set to rehearse consisting of songs written almost entirely by Mugs.

Some of the tunes were decent, some of them were crappy (in retrospect), but nearly all of them reflected some romantic angst between Mugs and an unnamed gal from our school, and for whatever reason, the songs enjoyed a growing popularity in our area. By the week before the gig, word had spread around our school of the upcoming show and we were expecting a fair portion of concert attendees in support of our fledgling act.

The night of the show came, and while the two bands before us had disappointingly short sets we were more than ready to take the stage. As we stood on the riser, instruments in hands and stage lights coaxing the sweat to surface before we even started playing, we looked out over a steadily building crowd in this ersatz concert hall and kicked into what would be our last concert together. We played a varied set, sure to include some of our shorter instrumental pieces that grabbed the attention of the small town youth when Uprooted debuted at Autumn Days back in October. The room continued to fill until a girl, the object of Mugs’ lyrics, walked through the door. We scrapped our next song and substituted a straight blues rocker, “I Can’t Get You Off Of My Mind.” My brother wailed the lyrics in a scratchy baritone, all but singing to the unnamed show-goer in the front.

I remember stepping out of the lights with a high I’ve yet to experience again. I’ve never sought to draw attention to myself (honest!), but for the better part of an hour we were rock stars in our region. After unplugging our instruments we joined the crowd for the rest of Bean Fest ‘98 (seriously), receiving many a high-five and compliment as we mingled with the patrons. I remember enjoying the rest of the night, but I don’t remember the rest of the bands…

We packed up our gear from the back of the building in the van of our drummer’s father, and after the lights went up and concert-goers started to leave, we made our way to the curb in front of the coffee shop to meet up with our ride. Paulie, our step-dad, had pulled up in our ‘93 Dodge Intrepid with Farmville’s WXKJ playing over the speakers.

When he stepped out of the car I could hear Simple Minds start to play over the radio, so I rolled down all the windows and cranked up the volume so we could bask in our short-lived teenage glory.

Will you recognise me?
Call my name or walk on by
Rain keeps falling, rain keeps falling
Down, down, down, down

Okay, so here’s some honesty: Memories are notoriously unreliable and murky, so I’m sure some of the events described herein aren’t completely accurate. I may have even exaggerated some of it for effect. What I know to be accurate for sure, though, is what I felt. What I still feel. Uprooted didn’t last much longer. The drummer and his father - our sort-of manager - wanted to avoid any more free gigs and start playing more clubs further around the state. Mugs wanted to focus on the music and was afraid of being too caught up with the money. We dissolved before Christmas.

We may have only lasted three months, but that band gave me some of the only good time I ever had in high school, capped-off and summed-up in the strains of “Don’t You (Forget About Me).”

Medium

main waiting at bus stop

I’ve uploaded my entire test roll of medium format film to my Flickr page. Being a test roll, the shots are, consequently, not that interesting. But I think the detail and clarity of the film format is evident.

…with something like five snakes engraved on it.

It’s Friday, so my brain isn’t really at work. But some portion of my brain is almost always on the internet, so here’s a glorious entry from Sarah Walker over at McSweeney’s to distract you, too.

Rural Decay

crumbling house

Nine new exposures on my Flickr action…all from a day trip to Farmville with Jake.

Neil Young, check your ears.

Neil Young is whining about a perceived lack of audio quality from MP3 files and players.

This is humorous to me on a number of levels:
1. I’m no fan of Neil Young’s music, but I’ve heard a fair amount of it in my life because my dad was a fan. Young’s work isn’t exactly the sort of “music” that would benefit from a higher-grade sound system, and his vocals and guitar work make me question whether he can really hear the difference anyway.
2. Sure MP3 files may not be ideal, but at higher quality levels (like the 256k files from AmazonMP3 or iTunes Plus) any loss from a CD is hardly noticeable to the average ear, especially on the sound systems that the average listener can afford.
3. Young shouldn’t blame the playback technology too much either - the phrase “garbage in, garbage out” from computing works in the recording industry, too. An overwhelming amount of recordings are created to maximize volume and even out the levels for the sake of radio singles.

But go ahead, Neil. Blame the technology. I’ll keep blaming your tin ear.

Yashica Mat

So here’s the big reveal: a new (old) camera (pardon the blurry low-light macro shot)!

camera

This is a Twin Lens Reflex camera with the top lens for the viewfinder and the bottom for the picture. It shoots medium format (120) film creating 6×6 cm negatives. The results, assuming this thing works, would be like going from watching TV on basic cable to watching it in high definition. So here I go with the true square format, and I should have my results back by the end of the week - but they’re only being processed, not scanned. If they actually turned out alright, then I plan to have the negative strip scanned to CD so I can post some frames on the web. Here’s hoping, because this has the potential to really kick up the clarity and detail of my pictures…

I’ll spare everybody the gory details on the camera such as the specs and such, but if anyone’s curious, I’d be happy to entertain any questions about the TLR in the comments.

Luxury Subs

Taking conspicuous consumption to new…ahem..depths, U.S. Submarines manufactures submersible watercraft for the ridiculously wealthy. Check out the Phoenix 1000:

luxury submarine

For a cool 78 million clams, you could have your very own. Torpedoes not included (I think…).

Closer than it really is…

Michael Grunwald’s Time article about McCain spends most of its time discussing the long odds against the Arizona senator in the 2008 presidential election. His last paragraph really resonated with me, however:

That doesn’t mean that anything’s probable. The media will try to preserve the illusion of a toss-up; you’ll keep seeing “Obama Leads, But Voters Have Concerns” headlines. But when Democrats are winning blood-red congressional districts in Mississippi and Louisiana, when the Republican president is down to 28 percent, when the economy is tanking and world affairs keep breaking Obama’s way, it shouldn’t be heresy to recognize that McCain needs an improbable series of breaks. Analysts get paid to analyze, and cable news has airtime to fill, so pundits have an incentive to make politics seem complicated. In the end, though, it’s usually pretty simple. Everyone seems to agree that 2008 is a change election. Which of these guys looks like change?

This explains almost exactly (though not entirely) how I feel about the media’s approach to this election cycle. Could it really be a close race? Maybe. But if it wasn’t you’d hardly know. Remember when it was practically fact that Obama had knocked Clinton out of the primary race, but the media still clung to every last vote as if there was some chance Hillary would find a way?

I think Grunwald’s right - unless there’s some dramatic mistake or world event or who knows what else, this election looks pretty locked up for the junior senator from Illinois. But a done-deal doesn’t make for good ratings or page views or sales of those dreadfully partisan books (from both sides) you see in the center tables at Barnes and Noble during election season.
(via Gruber)

Hit and Red

Peep it - a totally sweet animated video for a blippy electronic club piece:


Ghislain Poirier - Hit & Red (official) from departement on Vimeo.

“Hit and Red” comes from Montreal musician Ghislain Poirier who seems to specialize in bumpin’ beets.